Showing posts with label 2010 BOLLYWOOD MOVIES. Show all posts
Showing posts with label 2010 BOLLYWOOD MOVIES. Show all posts

Sunday, June 19, 2011

TANU WEDS MANU PHOTOS REVIEWS

A London-based Delhi [ Images ] boy and his family arrive at a Kanpur household kicking off a vibrant ruckus of prattle and curiosity.  Following a black eye fix from a local ruffian at the railway station, the jittery visitor and Co. lose some of their inhibitions after they're greeted by a naked tot waving at them with a cutesy, 'Aaiye, aaiye.' Meanwhile, the typically enthusiastic hosts indulge them with obligatory chit-chat and (presumably) Thaggu's ladoos.  The vocabulary, disposition, sensibility, camaraderie and milieu is fond, familiar and stems from a classic set-up in upper middle-class, non-cosmopolitan North India [ Images ]; all these elements composite into giving director Aanand L Rai's Tanu Weds Manu, travelling to and fro between Delhi, Kanpur, Lucknow [ Images ] and Kapurthala, a sense of accessibility and realism. What ensues after the afore-mentioned scene is, however, not a commonplace eventuality. Although it's a routine arranged marriage layout for boy-meets-girl, the lady in question, is no Geet or Simran [ Images ].  A quirky creature with a picture of Argentine revolutionary Che Guevara in her bedroom, Tanu (Kangna Ranaut [ Images ]) is the kind of girl with no real focus, only cosmetic aggression. Although she's educated, her idea of liberation is hollow rebellion -- hanging out with crooked fellas, drinking, smoking, occasionally swearing -- which gets all the more highlighted because her parents appear to be exceptionally accommodating. For all her care-a-damn attitude, Tanu, just like her fierce curls and gentle countenance, is a fascinating paradox hopping between edgy and erratic, a soft head who sulks randomly, giggles comically, indulges in all possible shock tactics but ultimately does think there's not much difference between her and a 'bandariya.'  There's a thin line between silly and stupid but Kangna Ranaut makes Tanu work with her chirpy appeal and energy. Not really known for dialogue delivery, Ranaut uses her lumbering tongue to Tanu's advantage lending the rom-com some added lightness.  Then there's Manu (R Madhavan). Manu, like Mohan Bhargav of Swades [ Images ], is exactly the kind of too-good-to-be-true guy for whom terms like 'instantly likeable' were coined. And Madhavan suits the role to the T. He's perfectly cast as the genial, composed doctor head over heels in love with Ms High Maintenance. Of course, they're no Joel and Clementine but the disparity is along the same lines. There are more layers to Manu than meet the eye but they're never underlined by writer Himanshu Sharma. Tanu Weds Manu engages best if you can read in between the lines and draw your own sub-text.  Sharma fails to maintain the zing till the very end though. A disappointing, lengthy and gabby third-act makes Tanu Weds Manu's running time of 2 hours and 15 minutes longer than it is. It's a shame for a script that has previously recognized the strength of communicating in silence or subtlety. Some of the best scenes in the movie do not involve any talking. Rai captures the simplicity of eye contact and an innocuous smile in the scene when Manu helps Tanu pick a pair of earrings or her wedding lehenga. Even the talkie portions are on the crisp, terse side before Jimmy Shergill [ Images ] comes in to spoil the party and go on and on about what a threat he is. That last scene could have simply done away with all that filmi bak bak. Jimmy's verbal shimmy aside, Tanu Weds Manu is a pleasant experience for most part.  Wedding celebrations often make for a dazzling backdrop in romantic capers, be it Hum Aapke Hain Koun..! or Band Baaja Baarat. Tanu Weds Manu, too, employs the joie de vivre vibe to create resplendent song and dance spectacle with much help from Krsna's effervescent score ranging from thumping bhangra to rousing Sufi.  Besides its two titular characters, Tanu Weds Manu is blessed with an almost flawless supporting cast of actors like Rajesh Dobriyal as Manu's fretful, fast-talking pal, Pappi. He's especially droll in the Jai Mata Di sequence while haggling with a utility services attendant. On Tanu's side, you sit up and take notice of Swara Bhaskar as her blunt and plucky BFF alongside Eijaz Khan [ Images ] as her fiery 'n' fun groom. Reliable veterans like K K Raina, Rajendra Gupta and Navni Parihar competently fill in the shoes of Tanu and Manu's concerned yet harmless parents. In a candid moment, Manu's father tells Pappi that he'll be happy if his son gets married and settles down but even if he chooses not to, 'Main apne ghar mein khushi se baitha hoon.' That's Tanu Weds Manu for you. It doesn't take offense at anything but will charm you anyway

Wednesday, May 18, 2011

BOLLYWOOD NUDE ACTRESSES WALLPAPERS,SEXY STILLS AND GOSIPPS









YVS Chowdary more, Jagannath Puri is old knows the high energy slender beauty Ileana. Although both managers play an important role in enhancing the career of the heroes have played, the credit should go solely in YVS Chowdary Saleem Ileana dumping in the cemetery. "Charged entry into a deep coma for a year, Ileana Josh preparation for the release of two films over the next three months, as" full of heroin sexy Josh again in 2011i with Rana and "Shakti" with Junior NTR.

Jagannath Puri is also struggling for the success of the last chance for her daughter and "Nenu Naa Rakshasi" known to this type of content they offer a definitive break for two to be had. Nothing to say, a word such as "Shakti" is the highest ever budget and spectacle ever seen on Telugu screen. Therefore, it is full of Josh Ileana new and ready, the first place in 2011. Better, not in the eyes of the Chow.

The song is beautiful Daggubati Tollywood frog. It started with a beautiful movie "Leader", took the time to completion of Puri the charm quotient in the heroism "of the second film, following extensive consultation with other directors. Sources of the film industry started rumors height personality lanky frog is not well suited to the characterization ordinary heroes Jagannath Puri and in order not to degrade the output of the filmmaker is capable of concentrating quotient Ileana charming rather than the hero a frog.

Although this speculation has affected the industry in recent weeks, the release date of "Nenu Naa Rakshasi the element of fun frog Puri has continued to deteriorate. We can wait a few more days to reach a conclusion what all the fun?

Friday, April 15, 2011

BOLLYWOOD LATEST MOVIES REVIEWS..RAAT GAYI BAAT GAYI

Cast:Rajat Kapoor, Vinay Pathak, Neha Dhupia, Iravati Harshe, Dilip Tahil, Anu Menon, Navneet Nishan
Publicity Designer:Pritish Nandy Communications Ltd
Story Writer:Saurabh Shukla, Rajat Kapoor
Sound Designer:Resul Pookutty
Producer:Rangita Pritish Nandy
Production Designer:Meenal Agarwal
Music Director:Ankur Tewari
Director:Saurabh Shukla

Beneath the veneer of a steady smooth marriage lies the seed of temptation that needs a few swigs of wine to sprout and find an ecstatic release. No wonder that almost every character in Raat Gayi Baat Gayi seems to be cheating on his or her spouse.

Rahul (Rajat Kapoor) wakes up foggy after a night of drunken revelry at a party with a svelte and sexy babe Sophia (Neha Dhupia) but can’t clearly recall how far he went on his bed-rocking adventure with the hottie. He’s particularly worried because his wife Mitali (Iravati Harshe), who was also at the party, is withdrawn and sullen in the morning. She seems to know the truth which Rahul himself can’t recall.

So, Mr. Cheater visits his neighborhood buddy Amit (Vinay Pathak) to untangle the mystery. Amit being of little help, the duo meets up the party’s host Saxena (Dalip Tahil) who outwardly is happily married to a plump Punjabi (Navneet Nishan) but is having a fling on the side with the same hottie.

As the trio set about to piece together the jigsaw of the debauched night, we are flashbacked to the party and its colourful, droll, and drab characters. Did Rahul transgress the bounds of marital vows? Did he bed Sophia? Or is there another secret that springs up as a sting in the tale’s tail.
A wry comedy with its share of oddball characters not uncommon from the ones in previous films by the Rajat-Vinay-Neha gang, ‘Raat Gayi Baat Gayi’ gives you a slightly déjà vu feel of having been there and seen that. With Vinay once again playing a commoner who sneak peeks into porn or Rajat playing the suave smoothie or Neha playing a temptress, there’s little shock value to the film and how the characters are shaped, but for its climax which more than compensates for the sluggish interludes in an otherwise briskly unfolding tale.

The performances are doubtlessly topnotch, with even Navneet Nishan managing convincingly to play the rotund and slightly snobbish party hostess or Irawati Harshe lending a somber mystique to Rahul’s morose wife. Anuradha Menon, the inimitable VJ Lola Kutty of the small screen, tones herself down substantially.

Director Saurabh Shukla peppers the screenplay with good bouts of potent humour, but it isn’t the kind that will have you doubling up with laughter. All in all, a timepass watch.

AMISHA PATEL SEXY MASALA NUDE WALLPAPERS,LATEST GOSIPPS AND BOLLYWOOD NEWS





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